Few movies in recent memory rather live up to their title in the style that Bad Santa does. This is to say that all of you should take the form of address very gravely, for this isn’t your grandmother’s Creese Kringle. Bad Santa is easily the most irreverent holiday moving-picture show I’ve e’er seen. In fact, it’s one of the most irreverent movies I’ve ever so seen, point!

In the dark holiday comedy, Baton Bob William Thornton plays Willie, an unlikeable, foul-mouthed alcohol-dependent thief world Health Organization dresses as Santa each year in an try to rob department stores blind. His partner in crime (and the brains behind the operation) is Marcus (played by Tony Cox world Health Organization you crataegus laevigata remember from the Farrelly Brothers’ Me, Myself and Irene), a little person with a foul mouth of his own.

Bad Santa is also populated with a world of diverse characters including a street smart mall supervisor (played by Bernie Mackintosh), a subdued mall manager (played by the late John Ritter) and a sweet natured bartender with an obsession for Saint Nicholas Claus (played with likable charm by the Gilmore Girls’ Lauren Graham).

I love a good vacation movie, and with Bad Santa, I’ve already got two this season. Imp was a magical, warm and blurred family plastic film, while this movie represents it’s Due north Polar paired. And earlier anyone jumps to the conclusion that I’m sick in the head, I want everyone to know that much of this movie did offend me, but that was it’s goal. And in the end, it wasn’t queasy without a purpose.

Director Terry Zwigoff’s (Ghost Human beings and Rotter) objective here is quite simple. To put our beloved Santa in as many conciliatory, disgusting situations as humanly possible. So, we hear Santa having sex (in a hot tub, a department entrepot dressing room and, of course, in the back of a car), we see Kriss Kringle drink liquor, we see Santa smoking cigarettes, we see Santa Claus steal, we see Saint Nicholas curse out children, and last merely certainly non least, we see Santa Claus beat the crap out of a teenager. It’s all pretty funny in a mad and distorted sort of way (although many will just be plain pained), and Zwigoff is given free license to do whatever he wants because, after all, the flick is called Bad St. Nick. And afterward the real Santa sees this picture, Zwigoff and his flake team of film makers will most certainly be on the naughty list and I’m sure they wouldn’t need it any other elbow room.

Thornton is outstanding and fearless in this function. He is essentially trying to wreck our mental image of the jolly old fellow in red, and he never holds plunk for. What I liked near about his performance is the inevitable transformation he goes through. This, however, isn’t Skinflint. This is not the story of a base man world Health Organization suddenly becomes Mr. Dear. Thornton’s transformation is much more subtle, and stay assured, he never loses the potty mouth. Tony Cox has a playfulness time cursing up a storm, merely the usually hilarious Bernie Mac is underused. I really enjoyed Lauren Graham flour as Thorntonís fling. She’s incredibly warm and wizard even when the naughtiest words are coming knocked out of her mouth. And certainly, I couldnít save this brushup without commenting on the late John Lackland Ritter. I think this guy was an underrated talent. In Bad Saint Nicholas, he’s fantastically restrained, and I would have liked to see him do more of his physical schtick (see Skin Deep), but this is a fun carrying into action nonetheless.

What really surprised me is that as vile, coarse and sickening as this movie is, it does, believe it or not, have a heart in the middle of all of it’s mean spirited craziness. It is static about Dec 25 spirit as Thornton does, in some ways, become a better man. What’s nice here is it’s a small step rather than a huge, life altering translation, bringing a slight sense of realness to one mean, offbeat movie.

I’m sure that frequent readers of my reviews are wondering how could I possibly be offended by Cat in the Hat but certify a flick like Bad Santa. It’s quite unproblematic. Bad Father Christmas doesn’t adjudicate to be something it’s not. It is what it is, and it’s clearly made for adults. Cat in the Hat takes it’s name from a dearest children’s book and drains it of all it’s magic.

Whereas R rated holiday transportation goes, I think Planes, Trains and Automobiles and The Ref are the cream of the crop, but the audacious Risky Santa has found it’s place amongst the to the highest degree unique of Christmas movies. It’s naughty to tell the least. Case in point, when was the last time you heard Santa utter the words; "When I’m through with with you, you wonít s*** right for a month?" Bad St. Nick in deed of conveyance.

I was pleased to see that this film made your top 40, I’m a great fan of dark comedy and this is around the topper example we’ve had from this genre for a while. Nightstick Bob William Thornton is rightfully a home treasure - who could believe that he’s been able to get away with the things he’s done. God Bless America!

The holidays are here yet once again. It is a time that is full of conjuring trick, cheer and just a general goodwill to fella mankind. This is dependable for nearly everyone demur for a couple of despicable and conniving workforce that only see the holidays as a prospect to fleece people out of their money. Willie plays the part of Santa simply he is definitely non jolly nor filled with Christmas jolly up. Instead he is a mean drunk that wishes he was dead and the only reason he plays Father Christmas during the holidays is so he can get a job inside rich department stores that they will rob on Yuletide Eve. His partner in crime is Marcus a midget or a short person if you choose who is the brainiac of the entire operation that sets them up with the jobs and tries to keep Willie from ego destructing patch playing an Elf. Willie had a horrible puerility but the one thing his father did past onto him was the ability to crack a safe which gives him unique qualifications to the scam fifty-fifty though he is the worst Saint Nick to always play the part. He can barely stop himself from cursing and having sex in front of the children much less care to hear what the short kids want for Xmas. That is why when a little kid comes into his life wHO is overweight and picked on Willie might have a probability to redeem himself. Merely that is if he can stop from taking advantage of the thomas Kyd and all those around him as he spirals into a path of self destruction.

You tin can say a lot of things about this flick, it’s crude, it’s plebeian, it’s dysphemistic and it is besides wickedly and sinfully amusing. It is like one of those forbidden taboos in life that you are not suppose to enjoy simply you just cannot help oneself yourself from partaking of. The motion-picture show is so crude and offensive at times you wonder if John Ritter is wheeling in his grave as we talk (this is his last movie performance as he plays the Store Handler). But and then again he just power be laughing his ass off too depending on where he went. The movie does tie in a little bit of that feel good Christmas Day story ‘tween Willie and the kid but then again that is so twisted at times that its hard to regular notice. The movie does not care that it is dysphemistic and goes against what everyone thinks of when they think of St. Nick, and that’s part of the intellect the picture show is so funny. They know the movies is not meant for the kids and have no problem pickings the gloves off and just striking you with risqué and hilarious humour. I know that some people ar going to complain or so the subject manner of this photographic film but if you did not get from the previews that this picture was going to be this way I do not feel bad for them. The movie has to be one of the cartoon strip offensive and vulgar movies ever made and I am loss to be part of the chemical group that just found it hilarious preferably than just crude.

Secretary is a film that doesn’t exactly deal with quotidian subject matter, yet manages to be very effective, funny, sexy, original and strangely touching. The pic won a special jury prize at the Sundance Film Festival for originality this year and is being released by Lions Gate Films. The photographic film features a pair of knockout performances by James River Spader (world Health Organization seems to excel at the more than perverse clobber - Sexuality, Lies and Videotape, Dash) and Jake’s sis Maggie Gyllenhaal.

There are themes put to film in this painting that some will no doubt find offensive and though I can’t say I can relate to the sexual gratification that accompanies receiving or inflicting pain, I have a much better understanding of it’s nature by virtue of observance this little masterpiece from director Steven Shainberg. The relationship that blisters to a boil between the two leads is all at in one case comical, poignant and absolutely foreign. In a way that lends it something of a David Lynch sensibility.

The film opens with pres Young Lee Holloway (Gyllenhaal) organism released from a mental hospital after receiving treatment for self-mutilation. Her mother is over protective and her sire is a full-blown alcoholic. Along with turning indorse to mutilating herself, Lee gets hired as a secretary for a local lawyer named E. Edward V Grey. He’s a distorted character uncoiled out of the mind of St. David Lynch wHO is not an easy man to work for. It’s problematical for Spader to keep secretarial help due to his obsessive perfectionism. Even so, he finds the dream employee as well as tortured soul mate in the form of Gyllenhaal. (The film is truly a valentine to the notion that there really is someone out there for everyone).

The fun in this photographic film is observance the innocent-on-the-surface Gyllenhaal carefully wade into these strange waters, tentatively at first, and and so once she’s comfortable in the water, take Spader on at his possess sport. She proves to be his equal in every twist of the tale and what lies at the end of this dark and freaky journey is astonishing and satisfying. Though not my cup of tea, to be indisputable, I’d be remiss if I didn’t admit that this is perhaps one of the most sexually arousing feature films I’ve ever seen. I all over up liking this celluloid a great deal, largely as a result of the balls-out performances by Spader and Gyllenhaal. And was pleasantly surprised by how practically my wife liked it as well. Trust me this a strong will to Shainberg’s ability to take such tricky subject matter and humanize it.

I read your review of Repository and while I agree with you that, so, it is one of the sexiest movies ever made - I think you ommitted a few key points. With whatsoever successful sado-massochistic relationship there has deuce be a spoon-effect. For it to work long-term both partners must be committed to their roles one as punisher and the other as submitter. And it can’t just be a game it is more than along the lines of a faith. This is the message of this film is that in order for relationships to work there has to be this sort of puzzle piece match - not only in S & M couples but in all relationships. Hence I believe the plastic film is a larger metaphor for relationships in general.

One final thing, in your caption to the image above - you got the nature of the relationship backward - poetic licence, no dubiousness?

Eye of the Beholder starts cancelled with a strong mother wit of optic style. A kind of Rear Window for the 90’s. It’s beautiful to behold, merely unfortunately, the plot (or lack of) sets in.

Ewan McGregor plays an intelligence expert distraught all over the unexplained loss of his married woman and kid. When on assignment, he becomes preoccupied with a woman (stifling Ashley Judd) he’s supposed to be staking out. A woman with a heap load of problems, I power add.

This disjointed piece of psychobabble was directed with uncompromising visual panache by Stephan Elliot (the likable Pricilla: Queen of the Desert). What starts off as an gripping thriller, degenerates into a nonsensical mess.

Too a good deal of this story is unexplained and Eye of the Beholder offers an anticlimactic finish that left field me wholly dumbfounded. That’s too tough, because this film is extremely well shot and offers great editing. McGregor and Judd can only do so much. In front long, Eye of the Beholder loses it’s audience with it’s sheer absurdity.

Before you skip all over this review, it should be noted that thither is more to this film than meets the eye. Yes it’s true, Chong is anything just wholesome. In fact, her claim to fame, apart from prima in numerous adult films, was by having sexual urge with over 250 men in ten hours. Wherefore do you ask? Filmmaker Gough Lewis tries to give answers by delving into the life of the fair sex inside. One of the most interesting things close to Chong is that she has a Masters Degree from USC and came from a good upbringing. Her desire to be a function of the adult cinema industry comes from her feministic attitude. It’s actually all a facade. Chong comes across as being very unfrequented and confused–making for a fascinating documentary. This photographic film isn’t so much about sex as it is about a dysfunctional human being.

I was actuallly one of the guys and it was the weirdest have of my life.

everything and everyone - what a world pleaser

everything you could possibly want in a film and and then some. I guess the reason I say that is I was in it. Biggest unit of them all check it 34

I don’t suppose anybody is sledding to believe me, only I was number 27. Remember me? I dubiousness Anabel does either.

That stands for Anabel Anonymous - I too appeared in this film (number 44 actually) but if you happen to watch the film you’ll notice she’s practically comatose, you’ll also observation that this is no reflection of the meat I was bringing to the table - she was so fucked up on pain killers that she barely knew I was in the way.

Am I the only if guy that reads this website that wasn’t in Anabel’s moving-picture show - I feel so left out.

Number 18 and easily the mos astonishly hung, if you doubt this rent it - # 18 baby - could you handle that kind of invasion?

I just want it to be documented or (cockumented) that Anabel Chong was most as exciting as fucking a couch. I’t no accidnet that she’s fallen off the fac of the ground. I’d rather have sex with a bolgna sandwich

My Name is Robert Robert Morris and obviously I’m the only humans who has never had sex with Anabel Chong. I must’ve got in the incorrect line.

believe it or not, I was actually NOT in this moving picture, but I have the acting power to fall through

That’s right I was 69 and you’ll ne’er guess what position we used

This and Inside Deep Throat ar two of the best documetaries I’ve ever seen.

Sorry to be a cliche but 83 and proud of it.

Saw it, and believe it or non - I wasn’t in it. Drilling movie some records just aren’t worth setting

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This thing is scarcely pathetic, it’s not erotic or even interesting, later on a while it resembles necrophelia - awful film, just awful

Numbewr 29 give thanks you very much

Yours is one of the few sites that carry a review for this film, I think that’s pretty cool and I’d like to make out why so many others have shied away?

I was 252! I ne’er got my turn!

The Cooler is a gem of an independent film that was made all the more interesting because of the destiny in which I adage it. It was a press screening with only around seven people in the hearing, and one of those attendees happened to be Peter Travers of Rolling Stone magazine. This is completely irrelevant of grade, but it was cool nonetheless.

The Cooler features the spectacular William H. Macy as Bernie Lootz, perhaps the most unlucky man in Las Vegas. So unlucky in fact, he’s employed by a major gambling casino for his cooling gifts. Whenever a gambler is on a winning streak, Lootz is sent in to cattle farm his bad fortune to that particular patron, and without miscarry, the winning stops. However, Lootz’s life changes
dramatically when he falls for casino cocktail waitress Natalie. As a result of their union, his luck changes and this doesn’t go over well with the casino owner (an electric Alec Baldwin).

No one plays the loveable loser quite as in effect as William H. Macy (Fargo). He excels at this sort of part. He’s absolutely terrific in this film and bathroom now add romantic wind to his resume. I’ve been a fan of Maria Bello since her days on E.R. She’s a perfect match for Macy in this picture, and while you probably wouldn’t think it, these deuce do put up plenty of sparks in some surprisingly racy sex scenes. Of course the big spill surrounding The Cooler revolves around Alec Baldwin world Health Organization delivers a high get-up-and-go performance on par with his masterful supporting work in Jacques Louis David Mamet’s bright Glengarry Glen Ross. While this is one evil character, you
will find him hard to dissent, and it should besides be noted that he provides the audience with the biggest shock in the flick. It involves a pregnant woman, and I have to allow, when the scene in question occurred, I jolted in my seat.

I really loved this flick. The performances in this thing are just spectacular and I really liked that I had no idea where the motion picture was headed, particularly the abrupt just hilarious ending. The Ice chest is wild at times, but it’s also very funny and quite odoriferous. Given that it credibly won’t get a brobdingnagian release, attempt it out. It’s more than than charles Frederick Worth it.

You’ve got to be happy for William H Macy, not only does he fianlly get to be the round top bill star of a film, merely he as well gets to do some awesome sex scenes - with Mario Bello no less, now it doesn’t get and Cooler than that. Attaboy

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Kevin Maulers has to be one of the worst action directors working in the business today. His credits include; Rider 57, and Fled. Now comes Black Dog, a ridiculously artificial and drilling 90 minute truck adventure that feels almost as long as The Postman. Almost! Block that Black Dog has an uninteresting hero and a awfully dull baddie. Where Black-market Dog truly fails, is in the action sequences. For most of the film’s running time, there is a crash or an explosion of some kind, but Hooks has found a way to make sure that none of it is exciting. The action scenes are shot without an apothecaries’ ounce of energy. The way these scenes are edited will, no doubt, depart the audience dumfounded.

Patrick Swayze is the supposed hero, a trucker world Health Organization is forced to drive a load of merchandise across the state. If he doesn’t complete the run, his wife and daughter will be killed. Sound familiar? Rock star Meatloaf is the villain, a religious spouting addict, so amusing you’ll be running for the field of operations exit. Sinister Dog is at the bottom of the action barrel.

I thought it was a GREAT motion-picture show I loved all 13 times and I am going to rent it even more than. If I was the director I would fell realy majestic of my self.

what are you talking about black dog is an awesome motion-picture show.I don’t know wHO you ar but I liked blackdog and you shouldn’t talk about that movie that way.

I guess I’m just one of those obsessive fans who believes that St. Patrick Swayze can do no wrong - I cerebration Black Frankfurter was

I expected much more from this would-be nail biter around cops and corruption in Manhattan’s Chinatown. After all, it stars Mark Wahlberg (Boogie Nights) and Chow dynasty Yun-Fat (Hard Boiled), as well as the considerable directing talent of Saint James Foley (Glengarry Glen Ross, Fear). However, The Corruptor surprisingly falls flat (aside from a slam-bang car chase in the middle).

Yun-Fat and Wahlberg play new partners who find themselves at war with the Chinese mafia. Spell battling the enemy, they must learn to combine each early. The plastic film offers all of the standard cliches of the Buddy Pick up picture (Lethal Weapon)minus the chemistry. Wahlberg is quite effective as an eager military officer out to dazzle his squad. Yun-Fat, who struggles with the English accent, is watchable–but has so far to come near the types of roles that were his bread and butter in Hong Kong.

Ultimately, it doesn’t seem like Foley’s heart is in the action writing style. Many of The Corruptor’s key action scenes ar very clumsily shot–making it hard to hold anyone’s interest. For Yun-Fat, it is a considerable gradation up from last years ridiculous The Replacement Killers, but placid far from his potentiality. However, for Wahlberg and Foley it is a gigantic dance step down.

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Are We There All the same, might have been more appropriately entitled "Is It Over Yet?" In fact I’d probably feel sorry for Ice rink Cube for having been wrangled into taking part in this ex-rapper-on-the-road heap up, had I not noticed his make in the production credits. Showing evidence that "Amerikkka’s Most Wanted" was complicit in this attempt to turn the Onetime XXX action-star into America’s Most Cuddly.

In this Johnson Mob Vacation-caliber debacle, Ice plays Nick Persons, a player (whose creed includes an abject aversion for the shorties) wHO drives a pimped-out Navigator designed only to draw in the opposite sex so that he might have plenty of it. His latest conquest (Nia Long) unfortunately comes complete with the genial of luggage that Nick would prefer to strap to the roof of his beloved ride. Hence the table is set for Nick to get a goodish dose of comeuppance and for the rest of us to wish we’d waited in the car ourselves.

Early on in his courtship of Long, Ice Cube is pressed into service when an emergency dictates that he must get her children (11-year-old Lindsay played by Aleisha Allen, who was so charming in Shoal of Rock, and a much jr. Philip Daniel Bolden) from Oregon to Vancouver so they posterior be safely re-united with their mother. This formula for calamity, could well have been an entertaining road picture, but what transpires is a painfully un-funny and surprisingly ungenerous exercise in bad film making.

For their constituent, the children are motivated to create any novel man in their mother’s life a living blaze, because they believe that the breakup of their parents is temporary. We find out, however, that the kid’s real fatherhood has already settled into a new romance, that comes complete with a whole new family. He’s not going to be coming back, but this is a detail that their mother has yet to confess in whatever way. Thusly, their efforts to protect their parents marriage from any and all threats, is solemn, however ill-conceived and ultimately as fated as this really, really bad excuse for a family film.

Right away I deep regretted delivery my similarly aged children with me to see Are We There As yet? because the children in this film are pictured as unblushing and unrepentant brats. The gags and pratfalls that they subject Ice to are so sadistic (consider Home Unequalled) that the film caused me to wince end-to-end for a host of reasons. In Home Lonely the violence unleashed on Stern and Pesci was easy to swallow because they were bad guys trying burglarize the home or worse. In Are We There Yet, we get the same sort of magnified violence, but it is meted extinct against an innocent wHO is just trying to help. A fact that not exclusively detracts heavily from the film, simply is likewise a terrible message for the kids in the audience of this (PG) rated mob film.

Along with the thorough lacing both Ice Cube and his Sailing master are handed, is the unquestionable price this may well bring to yield on his career. Regular hexahedron had seemed almost bulletproof, when you consider his Friday and Barbershop franchises, not to mention his Player’s Nine project and his musical career. Are We There Yet, will fast be forgotten as a actually lousy motion picture and with any luck Ice Cube will be able to soldier in advance and shrug it cancelled as minor battle preoccupied on his way to winning the war.

It seems like you guys on this site always crap on black films - sometimes I curiosity if this isn’t out of prepossess - I’d hate to think so.

Sorry you feel that way Ty, but if you crapper honestly order that Ar We Thither Yet, Juicy Albert, or say President Andrew Johnson Family Vacation are good movies that we’ve criticized purely out of a racist agenda, then you’re the one who needs a reality check,

best wishes The boneman

ps checkout counter my review for She Hate Me, I enjoyed it, contempt it’s anti-Whitey undertones, and I’m in the nonage when it comes to that ruling. Don’t be judgin’ dawg.

What a waste of a night, a date, money, time, wakefulness, and

Hey Bouldery, watch me pull a mediocre moving-picture show out of my hat! Those folks in Hollywood have seen fit to turn yet another 60’s treasure into a unsatisfying movie. This time, it’s Jay Ward’s witty Bouldered and Bullwinkle show. We’ve already seen Jay Ward’s stuff get the grownup screen treatment before. First base, there was the amazingly entertaining George VI of the Jungle, and then thither was the dreadful Dudley Do Correct. The Adventures of Rough and Bullwinkle falls somewhere in between.

Actually, this mix of animation and live action starts off quite promising, perfectly capturing the spirit and ingenuity of John Jay Ward’s sometime cartoons. The film begins a animated cartoon as Rough and Bullwinkle are cornered in the world of rerun netherworld. They get their chance to become heroes over again when Unafraid Leader (Robert DeNiro), Boris (Jason Alexander), and Natasha (Rene Russo), strike a deal with a flick company, and create havoc in the real world. With the help of a FBI agent (Bagpiper Perabo soon to be seen in Coyote Ugly), our dynamic duo are also brought to the world of reality where they will once once more do struggle with their nasty nemeses.

As I feared, The Adventures of Rocky and Bullwinkle becomes inconsistent as it moves along. The hints of sheer wit are over shadowed by boring stretches of plot, forgettable acting, and some truly tough puns. Even the blending of live action and animation can’t hold a match to Who Framed Roger Rabbit, which it blatantly steals from.

Still, the number one fifteen minutes of the film left me intuitive feeling quite nostalgic, and the movie does have some funny moments. In the end, they should just leave greco-Roman TV alone. And for the lovemaking of our Lord, please no Prof Peabody and Sherman moving-picture show, or I’ll have to shoot myself.

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What could possibly be worse and so a film starring Turkey cock Green? How about a film directed by Uncle Tom Green. I’ve never been a brobdingnagian fan of the guy. His present on MTV was always more vexation then anything else. He certainly wont make any new fans with the disgusting and amazingly unfunny Freddy Got Fingered (in case you are inquisitive, the title is a sexual denotation).

Green plays Gordon, an aspiring vitalizer who, at 28 years old, still lives at home where he makes life a living inferno for his parents. He gains inspiration from his handicapped girlfriend and sets out to prove that he can buoy make a difference in the world. Of course he does so at the destructive expense of his family and loved-ones.

Where the hell do I start? First of all, this isn’t even really a story. It’s a series of tight spirited gags strung together at an uneven pace. Green doesn’t seem at all concerned in making the audience laugh. No, he wants to nauseate you with sight gags involving newborn infants, the stroking of a knight penis, and shooting elephant semen. This doesn’t regular scratch the surface. Super acid is plainly taking his cue from the likes of John Lackland Waters and the Farrelly Brothers. The difference is, those particular film makers embrace their characters, making for a somewhat likeable movie live. Green has no beloved for the world he has created. He plainly wants to make you sick to your stomach. If that wasn’t defective enough, we’re treated to even more repulsive images during the closing credits.

This scene isn’t without it’s shining moments. I really enjoyed Rip Torn’s performance. No matter what awful scenario Green has him last, he seems to come through with some sort of lordliness. Green has even forced girlfriend Drew Barrymore to take part in this garbage. At the very least, she is somewhat tolerable. More so than Green was in Charlie’s Angels anyhow.

Two things are completely apparent in Freddy Got Fingered. Tom Green can’t act and Tom Green can’t direct. Green is sort of like the great Andy Kaufman in that he seems to be trying to amuse himself. Of course, George Simon Kaufman was a genius and ultimately the rest of the humanity got the joke. To most of the world, I think Green is the jest. Freddy gets the feel is more like it.

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